The instrument, built in the second half of the 1900s in Milan, is an exceptional example of the work of Ferdinando Garimberti, a Maestro to whom Giorgio dedicated one of his publications, becoming an expert.
The instrument is in perfect health and has a beautiful patina under which the original orange varnish is well preserved. Played for a long time, the instrument has an excellent bright timbre.
Sound:
Brilliant, warm and round.